Friday, December 31, 2010
Musika
this one might be a bit too slow or cheese for some.
i felt it when i heard it first.
Thursday, December 23, 2010
Tuesday, December 21, 2010
Monday, December 20, 2010
Monday = Big Bear Time
Winter brings on many changes in animals lives, whether it be migration by animals such as the whales, seals, turtles, eels, crabs, fish, butterflies etc.
However, for some animals hibernation is the preferred method of escaping the cold of winter.
For example, the small ground squirrel illustrates some of the remarkable changes that take place. It’s body temperature drops to within a few degrees of the cold outside its den. The heart will beat only once or twice a minute. When it is active, the squirrel may breathe a few hundred times each minute, but in hibernation it takes a slow breath only once every five minutes. Despite these changes, its blood remains saturated with oxygen, and little used muscles remain in tone ready for action when they awaken. Bears however, are not true hibernators. The body temperature of bears stays normal. They burn an estimated 4,000 food calories a day. While in hibernation they can awake and move about quite often. Yet they can exist for three months or more without food or water.
During their hibernation, the bears neither defecate or urinate. This would normally mean that nitrogenous wastes during that time would cause poisoning to the urinal system. However this it does not do. The bear solves its nitrogenous waste problem by a form of recycling." The hibernating bears body diverts nitrogen from pathways that synthesise urea into pathways that generate amino acids and new proteins. And it does this by glycerol (produced when fats are metabolized) and recycled nitrogen as the building blocks" according to the New Scientist Magazine of February 1985.
The female grizzly bear will have her cubs during the winter hibernation. During hibernation she does not eat or drink anything at all, yet still she is able to nurse and care for her cubs. The mating period usually occurs in may to early July each year, and the cubs are born generally around January or February, right during the cold winter months. But the gestation period is not very long for the female. She has very tiny offspring usually weighing only a pound or two at birth, so it is easier for her to nurse and feed them even though she does not eat or drink anything during those months.
Compared with winter hibernation of animals such as woodchucks, squirrels, snakes, frogs, and so forth, the winter sleep of many bears is only a series of naps. This is because the slumber of bears in the winter may be disturbed, as their body temperature stays high and their breathing remains at the normal rate. Some will even awake on their own accord in the winter and prowl around for a few hours or days at a time.
Scientists in Yellowstone Park discovered that grizzly bears were likely to choose dens where they would not likely be disturbed. Some of the dens were right on canyon walls where it would be very difficult for access by anyone or anything. All of the dens that were on slopes faced north, so that warm spells would not warm up the den and awake the sleeping bear. The dens were cozily lined with a fine insulation of pine and fir boughs.
It has also recently been discovered that grizzly bears would not enter their dens for hibernation until the onset of a blizzard, the type of blizzard that would quickly cover their tracks as they entered into their dens. This would serve as a fine protection for them during their hibernation, as no one would know that there was a sleeping bear deep inside of that den.
It would not be very practical for bears to refuse to play their roles in preparation for their hibernation necessary for their survival of the harshness of winter. In fact for them to ignore this would literally mean death for them. However, bears are not of such intelligence to appreciate the signs of approaching winter, but they act on an inbuilt instinct that moves them in such a way for their self-preservation.
Where man can read the signs of the weather, and can note on a calendar to see when winter is approaching, the bear does not have the same kind of intelligence.
However, for them to hibernate means their survival. These cold changes in the winter months can be taken for granted by man. Yet, for animals it is a time of great changes.
Friday, December 17, 2010
Saturday>Friday
Monday, December 13, 2010
RIPs aka Despicable Accents + Stories
Friday, December 10, 2010
You Are Out There
Official Zhukowski Rating: 7.9/10 bananas + bonus 0.5 banana for actor being bananas and pulling this off, no matter from what side you look at it.
User Reviews
I'M STILL HERE will have people wondering - is Joaquin Phoenix all there? The twice Oscar-nominated actor (Gladiator and Walk The Line) is directed by his brother-in-law, the Oscar-nominated Casey Affleck (The Assassination Of Jesse James By The Coward Robert Ford) in a documentary about a year in his life (Australian release - September 16).
It covers the period from when he blurted out he was leaving acting for hip hop, includes the infamous interview with David Letterman and serves as a reminder of the flipside of fame.
Did we need reminding?
Well, yeah - the current human addiction to fame is out of control. Ask a lot of people what they want in life and they'll say 'to be famous' - not to do anything amazing which results in a modicum of fame - it's fame in itself and for itself.
And such empty fame is a very destructive force. The Wright Brothers found fame by getting people to fly. That's good. Linsday Lohan found fame by crash landing her life. That's bad. She ignored the gift of her acting talent by getting distracted with the shiny wrapping paper of attention. (It's a very different thing to recognition.)
The beer-gutted, bearded, babbling boy that is Joaquin Phoenix is a revelation in the doco. The audience I was with laughed out loud all the way through it. And sure, it's funny - in a tragic way - like when a cat falls into a bathtub.
The thing is - I really understood a lot of what Phoenix was saying.
What bugs him bugs most people - to be misunderstood. He feels trapped by being defined as an actor the same way a dentist would if he or she yearned to be free to become a professional golfer but was told not to. I understood how maddening it was for Phoenix to be twice-nominated for Oscars which resulted in him gathering heaps of people around him that want him to pursue acting because 'he'd be crazy not to'. Agents, managers and friends felt he was at the pinnacle of success when really, he was at the precipice of a kind of prison.
I don't reckon he seriously wanted to be a hip hop artist - but he did want the freedom to do whatever he wanted to do professionally - whatever that may be. Unfortunately, stream of consciousness got the better of him and he shot his mouth off before he thought about what he was going to say.
He's become a peculiar kind of reality show Macbeth. A Howard Hughes of Hollywood - minus the mega cash.
The doco highlights the myth about acting and stardom. An actor is not 'brilliant' or a 'genius'. Pretending to be someone else convincingly is simply being a terrific phoney, an adept fraud and a well-crafted con artist - in a legal environment. It doesn't cure cancer or change the lives of people needing help from, say, Amnesty International. Acting is just a process of not being yourself.
What Joaquin Phoenix proves is this: there is freedom in being crazy and you don't have to be crazy to know that.
He looks less Boho and more hobo. The hair on the back of his head is coming alive like Medusa, holding its own performance and provides a metaphor for what's going on inside his head.
So how good is he at hip hop? He's 2 maybe 3 out of 5. Rhyming 'Wuckeen' with 'spleen' won't win awards or become a tattooed slogan on a fan's arm.
And there's something so very broken about the badly taped up arm of his Buddy Holly-styled permanent sunglasses.
It's a shame when people who are good at one thing yearn to be good at another when they don't have the skills and tools to pull it off. It also makes me a bit mad that they are so ungrateful for the one gift they do have. Then again - is a gift really seen as a gift if you don't want it?
Poor assistant Anton is abused in such a way, it's easy to see that Phoenix uses him to bash himself up. And Anton is a willing subservient whipping boy. He uses him like a tea towel to wipe his dirty feelings.
It's almost as if Joaquin has heard people say that awful thing - that the wrong brother died outside the Viper Room all those years ago. Maybe it makes him mad and hurt, hence the title. 'River isn't, but I'M STILL HERE.
So - is I'M STILL HERE a hoax? Phoenix's stab at immortality through immorality on a public stage? Starlets use weight gain and loss, so the guys stick a question mark over their sanity? Is this the greatest role Joaquin has ever played?
Could be. After all - there are a few parallels between this doco and DIG! - the doco about The Dandy Warhols and the Brian Jonestown Massacre. And both star a 'character' called Anton.
If it's not a hoax, Joaquin is a guy on the edge. Is he a suicide candidate? Possibly. Does he need help? Definitely.
But if it is a hoax, then we're the ones who need help. And we should have the guts to admit it.
We've been conned.
But we've been conned over and over again by the high level spin doctoring that typifies 21st century marketing and promotion. And while we're all sniggering at his decrepit body and vagrant appearance, he's really holding up a mirror to everyone sitting in the cinema.
We're the ones who are ugly and crazy. And while we're at it, we can add cruel and unkind to that description too.
I feel sorry for him and sad for us.
Rare Times in Charlestown
Thursday, December 9, 2010
Honesty is the Policy
Tuesday, December 7, 2010
Let The Right One In [2008, Sweden]
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So the reason you believe your ending is better, even though it could be just as much of a stretch as the others, is because the other endings would be pointless. What I am saying is that they are not pointless. I think alot of people see this movie through the eyes of Eli while others see the movie through the eyes of Oskar. If you see this movie through the eyes of Oskar then you see a person who could go down the wrong way in life but then suddenly someone comes along who seems to completely understands him, doesnt judge him and cares very much for the "true" him. Why? Because this person is very wise. This person knows what lifes about and goes right to the heart of the matter. Why? Because this person is twice as old as the oldest person on earth and has alot more experience in seeing the patterns in life and this person finds out what is true and what is false on a much higher level than us mortals. This person must also kill humans. So you have a person who is smart and must kill. This person sees a lonely boy stabbing a tree saying "die, die". Yes its also true that this person is very lonely, just as lonely as this person is wise and experienced. It is also true that this person is stuck as a young child which compounds the feeling of being lonely and lost. But we cant read this persons mind and differ what is the lost and lonely part and what is the killing/surviving part.So we see all these things that could go either way. So back to the original question, what is the point of Eli being manipulative. The point is that this beautiful thing that happened between them has the possibility of going to complete sht. Its up to you to decide but the possibility makes it like your wondering if the person you deeply love, loves you back but even more worrisome because you could be enslaved by that love and kill innocent people for it. Its the extreme dichotemy of heaven or hell. Another take is that Eli is not manipulative at all but she still could have met Hakan at a young age and they both could have loved each other like she and Oskar love each other. Elis mind though has stayed the same and because she is stuck as a child forgot that she loved Hakan and began to love him as a father. When she meets Oskar, Hakan realizes that he has been replaced. Its not Elis fault though. |
29/5/27
How am i this scared of life? Not living the way i preach as in the right way of doing so. Yet not being able because of some mental, behavioral or basic human emotions?
Wednesday, December 1, 2010
Destiny
Official Zhuk Rating: 8.1/10 bananas
Tuesday, November 30, 2010
Thus Spoke Zhukowski
Friday, November 26, 2010
Random Thoughts
HKx2
Thursday, November 25, 2010
Sunday, November 14, 2010
Lady Vengeance
by r-magar (Mon Jan 19 2009 14:50:55)
"I dont think she deserved the forgivness she was looking for.
Near the end of the film, the little boy she kidnapped apppears in front of her. She goes over to say something, maybe to apologise or to ask for forgivness. The boy turns into an adult, the age he would be if he were alive. He shakes his head with sadness and walks away.
I dont believe she should be forgiven because she was essentially not a nice person for the following reasons:
- She kidnapped the boy, wanting to get ransom for him. She was old enough (16) to know better, even if she was fed lies re: theory of "good and bad kidnappings"
- She confessed to a murder which she knew she was not guilty of. Instead of telling the police who he was, she decided to be wrongly imprisoned. I know her daughter was in danger, but this was selfish, though understandable. What about the feelings of the dead boys family? They would want justice, not the real killer still free. No wonder she was going to cut off her fingers for forgivness.
- Because she confessed to the crime, this enabled the real killer to kill other children. She indirectly caused this, since she had the power to stop it in the first place.
- In prison she changed completely to get released early and make friends on the outside. She was really decieving these people, killing their enemies (the big lesbian woman for example), being lovers with that girl and being overtly religious, to use them to her advantage in her plan for revenge after her release. She didnt care about these people.
She knew herself, that deep down inside she was a bad person. You can maybe equate her to the likes of Myra Hindley or a Rose West, whose partners did the more worse of the crimes.
I have sympathy for what she went through, and you were rooting for her, and her plan, to kill the bigger fish. I am perhaps being a bit harsh on her, but do you see where I am coming from?"
Saturday, November 13, 2010
Friday, November 5, 2010
Marchioness Disaster
helloglad this was my first ever video i favorited on Youtube! this is what its all about i believe that life is beautiful and that we are all friends! |
Re: helloyou just made my day. i believe it does get better thank you. |
Sunday, October 31, 2010
El Duderino
"It's a travesty that most critics only read The Big Lebowski at its most superficial level and called it a modern take on a Raymond Chandler potboiler. I simply can't begin to perceive how one could sit down in front of this cinematic pop-poetry, as it plates gold on the silver screen, and not feel so incredibly alive. The dream sequence Busbee Berkley musical numbers are unique and awe-inspiring; the humor is rich, subtle, and clever in the way it satirizes politically correct arrogance; the free-flowing story avoids (even pokes fun at) nonessentials like plot points and pay-offs. But what really makes this film such a masterpiece, such a panacea, is the incredible humanism, the care that the Coen brothers put in developing The Dude (Jeff Bridges), Walter (John Goodman), Donnie (Steve Buscemi-tremendously endearing), and Brandt (magnificently played by Phillip Seymour Hoffman). Looking at the films use of Sam Elliott to play The Stranger, who constantly rambles about the many wonders of The Dude (among other things), it is clear that the film is an ode to a Dudist way of life. And in a time where so many film promise that they have the answer to the worlds problems and end up as slick, stylistic show-off films, what more could one ask for than a good-hearted film like this? Not to mention the performance by Jeff Bridges, which ranks among the best performances of the nineties; he has a relaxed slouch, a goofy smile, an enthusiastic dance, and his buttons can only be pushed by Walter, who John Goodman plays with charm and fury. The Coen brothers have always been considered 'cold' filmmakers, but there is nothing here but warmth and humanity (as is the case with the Coens' Fargo). What we have here is one of the greatest achievements in modern cinema and if you can't see that, grab a White Russian, hit the bowling ally, and find your inner-Dude as soon as possible."
Monday, October 25, 2010
"Amazing" (No Pun Intended)!
this right after i just read a story with the main character's name of Phoenix Jackson!
reading more in-depth about allegory and symbolism!
about "black" vs "white" discriminations!
Sunday, October 24, 2010
Fargo (1996)
by Redisca (Thu Oct 8 2009 21:06:06) |
This story is relevant because once Marge learns that Mike lied to her and attempted to manipulate her, she rethinks her assessment of the disarmingly shy and soft-spoken Jerry Lundegaard. (And you can see her thinking
Who would have thought that Sacha Baron Cohen could be beat in his own game, but this is beyond fucking epic. Joaquin totally fucking put his balls on the line for his art and has proven that he has more balls than anyone in show business.